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Still in Time: On Kianoush Ayari’s The Newborns
Iranian cinema has become synonymous with its most significant rupture: the 1979 Revolution. This is true across popular, journalistic, and academic sources. Scores of monographs, articles, and festival programs insist upon pre- and post-revolutionary cinema as the most logical structure
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As If It Were Yesterday: Seyed Reza Razavi’s Hidden
“Forty years ago? I drink tea and forget it after ten minutes!” Comments like this from Iranian citizens on their faded ability to recall their younger days come up in Seyed Reza Razavi’s Hidden (2019), as its team endeavours to
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REVOLUTION, TELEVISED
It has happened more than once. While speaking with documentary filmmakers of a certain generation (Med Hondo, one of the greatest African filmmakers, for one) I have been told how much they would have loved to go to Iran in
